In 1997, performance artist and political activist Alexander Brener made headlines when he sprayed a dollar sign onto Kazimir Malevich's renowned artwork "Suprematism." This audacious act resulted in Brener serving a five-month prison sentence.

As curators of the exhibition "Art or Not Art," we sought to explore the subjective nature of art critique and the role of individual perspectives in shaping interpretations. Our focus centered on Brener's provocative dollar sign piece, recognizing that diverse viewpoints contribute to the overall narrative of the exhibition. Participation and audience engagement were paramount, allowing visitors to contribute their feedback and reflections on the artwork.

Through various media formats, including video, zines, and newspapers, we facilitated discussions on the works of both Brener and Malevich. Our conceptual approach was symbolized by the presence of 3D glasses, serving as a metaphor for the multiplicity of perspectives in art critique. By encouraging visitors to examine their own filters and biases, we aimed to emphasize that art interpretation is a deeply personal and subjective experience.

"Art or Not Art" invites audiences to delve into the complexities of artistic critique and challenge the notion of absolute truths in the realm of art appreciation. With a curated exhibition design and a focus on participatory engagement, we aimed to foster a dialogue that encourages reflection, broadens perspectives, and highlights the ever-evolving nature of artistic interpretation.

Publication design